The final Pose is similar to the initial pose used for the sketch phase, still maintaining the same attitude that the sketch had. After setting up the lighting with the figure in T-Pose, and locking in a little bit of the environment, I deep dive into getting my character into her final pose. I experimented with some posing earlier in the process, when checking to make sure all of the costume and prop elements were parented to the right body part and conforming properly. There is also a really great concrete wall that fit perfectly for the vibe I was trying to achieve in the piece and did a great job of framing the scene. I was thrilled to find the Floor_Asphalt and Floor_Tarmacked available in the Content > Stage Elements > Props > floors. With lights arranged I went digging through the library of content to see what I could tackle inside of CC3 rather than generating elsewhere or photobashing later.
Once you pick a lighting preset you will see that it generates lights in your scene tree that you can move and manipulate for further customization. I wanted a nice blend between studio lighting and something that would feel a little more natural or environmental as though some of the lighting was coming from some neon street signage. I flipped through a number of lighting scenarios that had some really strong dramatic lighting. This is great for artists who want to streamline the process as much as possible and limit their time in their post processor of choice. Not only can you set up the lights but you can also further adjust the image window with a number of post effects including blurs, color adjusts and LUT color grading effects. I enjoy looking through the Smart Gallery as well so see how options are bundled for a more cultivated look. With all of the textures in place and material properties assigned, I start to work with some of the other properties within the content library, including the Stage elements.
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